In my studio practice, I make work that captures and catalogues both penetrating and fugitive moments of my cultural experience.

I am guided by the belief that the sensational can sometimes provide profound insights into human nature that lie beyond surface provocation. Mine is an American daydream that embraces humor and often reveals dystopian visions of a media-saturated culture.

Current events, images culled from the internet, publications, and other sources of cultural entertainment dominate my interests. My process of collecting, isolating, re-contextualizing, and juxtaposing this imagery creates new meaning through modest acts of translation, synthesis, and re-presentation.

These are a few examples of my work.